Monday, August 3, 2009

14 Cows for America Twitter Contest!

We're giving away some great 14 Cows prizes on our @thefourteencows Twitter this week! 1 Grand Prize winner will receive a Carmen Agra Deedy prize pack, and 5 runners up will receive a hardbound copy of 14 Cows for America.

Here's how it works:

  1. You must have a Twitter account to participate. If you don't have one, click here to sign up for a free Twitter account. No purchase necessary.
  2. 2. From your Twitter Account, follow us @thefourteencows.
  3. 3. Once you are following us, then simply tweet any message containing both "#14cows" and "@thefourteencows" between August 3rd at 12:00PM EST and August 7th at 5:00PM EST to be entered in the contest. A maximum of 10 tweets per day will apply towards the contest entries. Multiple retweets will increase your chances of winning. Winners will be selected randomly. Check out our Contest Rules for more information.

Happy tweeting!

P.S. while you are at it, follow Peachtree Publishers at @peachtreepub !

Bonus Blog! Nonfiction Monday Round up on SLJ's Practically Paradise

Every week, School Library Journal's Practically Paradise blog does a Nonfiction Monday round up of what's happening in children's non-fiction across the kidlitosphere. Today, Anastasia Suen's post about 14 Cows for America is one of the featured posts:

http://www.schoollibraryjournal.com/blog/830000283/post/1300047330.html

You can see Anastasia's post directly here:


AND you can see Practically Paradise's coverage of 14 Cows for America from last week here:


Stay tuned for Anastasia's post tomorrow on her Children's Book Biz News Blog tomorrow!

Maw Books Blog Review of 14 Cows for America

The blog tour continues with another incredible review, this one from Natasha at Maw Books:
http://blog.mawbooks.com/2009/08/03/14-cows-for-america/

Publishers Weekly review of 14 Cows for America out today

14 Cows for America Carmen Agra Deedy with Wilson Kimeli Naiyomah, illus. by Thomas Gonzalez.Peachtree, $17.95 (36p) ISBN 978-1-56145-490-7

A native of Kenya, Naiyomah was in New York City on September 11, 2001. In Deedy's (Martina the Beautiful Cockroach) lyrical account, he returns to his homeland and tells the members of his Maasai tribe a story that had “burned a hole in his heart.” The narrative avoids specifics and refers to the events of 9/11 obliquely as the villagers listen to him with “growing disbelief”: “Buildings so tall they can touch the sky? Fires so hot they can melt iron? Smoke and dust so thick they can block out the sun?” Until they read Naiyomah's concluding note, children may not fully comprehend either his story or the villagers' subsequent actions: the tribe elders bless 14 cows, revered in Maasai culture, and symbolically offer them to the American people to help them heal. Featuring luminous images of the Maasai in vivid native dress and sweeping African landscapes, Gonzalez's pastel, colored pencil and airbrush paintings appear almost three-dimensional in their realism. A moving tale of compassion and generosity. Ages 6–10. (Aug.)

Saturday, August 1, 2009

5 Minutes for Books Blog

The blog tour kicks off today with a nice review from 5 Minutes for Books:

Wall Street Journal

A lovely review from the Wall Street Journal today:

Of all the expressions of consolation sent to a grieving America after 9/11, perhaps none was as poignant as the gift of 14 cows from Maasai tribesmen in a remote corner of Kenya. How the offering came about is the subject of this moving and dramatically illustrated picture book for children ages 6-12. It is based on the experiences of a young medical student named Kimeli, who was studying in America at the time of the attacks and brought news of them back to his native ­village the following spring. In the opening pages of “14 Cows for America” we see Kimeli striding across the grassland in his red Stanford University jacket. There is rejoicing at his return, but the youth comes with a story that “has burned a hole in his heart.” As the tribe gathers under an acacia tree, Kimeli describes the horror that struck so far away: “With growing disbelief, men, women, and children listen. Buildings so tall they can touch the sky? Fires so hot they can melt iron?” As Kimeli talks, illustrator Thomas Gonzalez depicts his narrative as a kind of swirling fire overhead. After the young man finishes, there is silence—and resolve. The Maasai, author Carmen Agra Deedy tells us, “are fierce when provoked, but easily moved to kindness when they hear of suffering or injustice.” The villagers request a visit from the American ambassador, who duly comes and is stunned to be met by hundreds of Maasai “in full tribal splendor,” with scarlet tunics and majestic beaded collars—and their unexpected gift. (The ­“sacred and healing” cows, we learn, remain in the Kenyans’ care; the original herd of 14 has since grown to 35.) The final pages show the grave face of a young tribesman. Reflected in his pupil we see the book’s only image of the burning Twin Towers; beside him we read (possibly through tears) the concluding words: “Because there is no nation so powerful it cannot be wounded, nor a people so small that they cannot offer mighty comfort.”

—Meghan Cox Gurdon